The Ndebele woman does not paint
for acclaim or money. She paints because her house is her shrine, and she
desires to beautify it. What set a woman apart from the others is her style of
decoration and her choice of colours for the walls of her mud dwelling. But
when asked about their art, these women merely say, “I learnt from my mother”
or “It is the law of the Ndebele.” For generations the women of the Nedebele of
Southern Africa have produced an art of remarkable richness and vitality.
When
the current generation of painters was young, its palette was limited to earth
tonnes – browns, Ochres, red and black. But today commerical tints allow the
women to create all the hues of the spectrum. Brilliant colour, enhanced by the
Transvaal light, is as much a part of Ndebele decoration as composition,
texture or any other factor. Ndebele painting is composed freehand, directly on
to the wall surface, in one of two prinicipal styles; traditional and
contemporary – with both sometimes present within the same dwelling. In the
traditional style, the designs are bold, linear and abstract, becoming more
complicated on the front of the house. The contemporary style is more
representational, symbolizing courtyards, doors and windows and striking
diagonal, horizontal and vertical lines echo the forms of support structures
beneath the mud walls. The Ndebele artists choose the most graphic and
geometric shapes from everyday life to use in their compositions. Flowers and
trees, which can be broken down into well-defined components, are common
motifs. Ans as western aspirations replace African culture, the women have
begun to include light bulbs, street lights and television aerials perched on
thatched roofs in their murals.
The Ndebele women take as much
pride in their bead work as they do in their mural painting. After completing
daily tasks around the compound, they gather under the shade of a tree to sort,
string and stitch colorful glass or plastic beads for personal adornment. In
ceremonial dress women wear gala blankets with beaded trimmings, long beaded
strips attached to headbands, lavishly beaded skirts, along with beaded hoops
studded with glittering tacks. The Southern Transvaal Ndebele today 400,000
strong have survived as a nation because so many have adhered to their culture.
Despite terrible social, political and economical upheaval, these women have
stubbornly pursued their own distinct aesthetic path.